Beeldmateriaal
Beschrijving
Diptych: white lacquered wood, signed and dated 'Hilgemann '72', inscribed with dimensions and 'kubusstruktuur K1972 nr. 140' (on the underside of the cube), signed and dated again (on the underside of the plus). Several small dents and scratches with losses of lacquer (mainly along the edges and corners), overall in very good condition.
Literature: Augustijn, Piet. Ewerdt Hilgemann en de natuur als medescheppende kracht. In: Inside Out. Gorinchem, Gorcums Museum, 2003, nr. 1 & 2
Provenance: Private collection; Galerie Art Affairs, Amsterdam, 1985
Notes: "From the beginning, elementary research has characterized Ewerdt Hilgemann’s work. After experiments with subtle, white wooden wall pieces catching light in the 1960s, he turned into a conceptual sculptor, using natural stone, as well as steel, geometrical shapes in series: positive versus negative" (from the artist's website).
Kubusstructuur nr. 140 (positief) & nr. 141 (negatief) Cube structure positive/negative (1972)
Hilgemann, Ewerdt
(Witten, 21 februari 1938
)
Details
- Databanknummer:
- 85249
- Lotnummer:
- -
- Advertentietype
- Archief
- Instelling:
- Adams Amsterdam Auctions BV.
- Veilingdatum:
- -
- Veilingnummer:
- -
- Stad
- -
- Limietprijs
- -
- Aankoopprijs
- -
- Verkoopprijs
- -
- Hamerprijs
- -
- Status
- Verkocht
Technische details
- Kunstvorm:
- Beeldhouw- en Objectenkunst
- Technieken:
- Verf, Object
- Dragers:
- Hout
- Lengte:
- 60 cm
- Breedte:
- 60 cm
- Hoogte:
- 60 cm
- Oplage:
- -
Beschrijving
Diptych: white lacquered wood, signed and dated 'Hilgemann '72', inscribed with dimensions and 'kubusstruktuur K1972 nr. 140' (on the underside of the cube), signed and dated again (on the underside of the plus). Several small dents and scratches with losses of lacquer (mainly along the edges and corners), overall in very good condition.
Literature: Augustijn, Piet. Ewerdt Hilgemann en de natuur als medescheppende kracht. In: Inside Out. Gorinchem, Gorcums Museum, 2003, nr. 1 & 2
Provenance: Private collection; Galerie Art Affairs, Amsterdam, 1985
Notes: "From the beginning, elementary research has characterized Ewerdt Hilgemann’s work. After experiments with subtle, white wooden wall pieces catching light in the 1960s, he turned into a conceptual sculptor, using natural stone, as well as steel, geometrical shapes in series: positive versus negative" (from the artist's website).
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