Beeldmateriaal
Beschrijving
Signed lower left.
Provenance:
– Collection of the artist
– Collection Nico Schuyt, Amsterdam
– Auction Christie’s, Amsterdam, 13 December 1989, lot 291
– Collection Elisabeth den Bieman de Haas, Amsterdam
Literature:
– J.L. Locher & M. Josephus Jitta, Constant Nieuwenhuys, Schilderijen 1940-1980, Staatsuitgeverij en Haags Gemeentemuseum, The Hague, 1980, p. 27, cat.no. 4 (ill.)
– E. den Bieman de Haas, La Femme: Schilderijen & Beelden, Van Spijk, Venlo, 1992 (ill.)
– T. van der Horst, Constant. De late periode. Tegen de stroom in naar essentie. Une peinture nouvelle, BnM Uitgevers, Nijmegen, 2008, p. 43, no. 48 (ill.)
Exhibited:
– Haags Gemeentemuseum, The Hague, Constant Nieuwenhuys, Schilderijen 1940-1980, 27 September – 24 November 1980, no. 4
– Kunsthandel Elisabeth den Bieman de Haas, Amsterdam, La Femme: Schilderijen & Beelden, 1992
Note:
Registered in the online archive of the Foundation Constant under number CID 2110.
After the Second World War, Constant starts to experiment with a cubist painting style. Of the two founders of cubism, Picasso and Braque, Constant feels more akin with the latter. It is often said that the cubist work of Braque maintains a sense of balance and harmony while Picasso strived for disruption in his art. Constant’s ‘Portret van Matie’ is indeed a fine example from Constant’s body of work of a balanced harmony of shapes, as seen in Braque’s cubism. (www.stichtingconstant.nl)
Nico Schuyt (1922-1992) is a Dutch composer, known for his works for orchestra and choir, chamber music, songs, and ballets. Schuyt took piano and harmony lessons, together with Simeon ten Holt, with the composer Jacob van Domselaer (1890-1960), father of Matie, the portrayed.
Fourth photo: Constant, his wife Matie and their two children in 1946 – ©Stichting Constant
Portret van Matie (wife of the artist) (1946)
Constant Nieuwenhuys
(Amsterdam, 21 juli 1920
-
1 augustus 2005)
Details
- Databanknummer:
- 93999
- Lotnummer:
- -
- Advertentietype
- Archief
- Instelling:
- AAG Auctioneers
- Veilingdatum:
- -
- Veilingnummer:
- -
- Stad
- -
- Limietprijs
- -
- Aankoopprijs
- -
- Verkoopprijs
- -
- Hamerprijs
- -
- Status
- Niet verkocht
Technische details
- Kunstvorm:
- Schilder- en Tekenkunst
- Technieken:
- Olieverf
- Dragers:
- Doek
- Lengte:
- 80.7 cm
- Breedte:
- 54.7 cm
- Hoogte:
- -
- Oplage:
- -
Beschrijving
Signed lower left.
Provenance:
– Collection of the artist
– Collection Nico Schuyt, Amsterdam
– Auction Christie’s, Amsterdam, 13 December 1989, lot 291
– Collection Elisabeth den Bieman de Haas, Amsterdam
Literature:
– J.L. Locher & M. Josephus Jitta, Constant Nieuwenhuys, Schilderijen 1940-1980, Staatsuitgeverij en Haags Gemeentemuseum, The Hague, 1980, p. 27, cat.no. 4 (ill.)
– E. den Bieman de Haas, La Femme: Schilderijen & Beelden, Van Spijk, Venlo, 1992 (ill.)
– T. van der Horst, Constant. De late periode. Tegen de stroom in naar essentie. Une peinture nouvelle, BnM Uitgevers, Nijmegen, 2008, p. 43, no. 48 (ill.)
Exhibited:
– Haags Gemeentemuseum, The Hague, Constant Nieuwenhuys, Schilderijen 1940-1980, 27 September – 24 November 1980, no. 4
– Kunsthandel Elisabeth den Bieman de Haas, Amsterdam, La Femme: Schilderijen & Beelden, 1992
Note:
Registered in the online archive of the Foundation Constant under number CID 2110.
After the Second World War, Constant starts to experiment with a cubist painting style. Of the two founders of cubism, Picasso and Braque, Constant feels more akin with the latter. It is often said that the cubist work of Braque maintains a sense of balance and harmony while Picasso strived for disruption in his art. Constant’s ‘Portret van Matie’ is indeed a fine example from Constant’s body of work of a balanced harmony of shapes, as seen in Braque’s cubism. (www.stichtingconstant.nl)
Nico Schuyt (1922-1992) is a Dutch composer, known for his works for orchestra and choir, chamber music, songs, and ballets. Schuyt took piano and harmony lessons, together with Simeon ten Holt, with the composer Jacob van Domselaer (1890-1960), father of Matie, the portrayed.
Fourth photo: Constant, his wife Matie and their two children in 1946 – ©Stichting Constant
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