Langs de Mergellandroute / Along the Mergellandroute (1967)

Beschrijving

Signed 'Eyck' (lower left); framed. Some hairline scratches in the (upper) centre, one with small losses of paint, else in very good condition. Frame size 72 x 86 cm.

Exhibited: 'Charles Eyck. Schilderen met explosieve handen', Museum De Wieger, Deurne, 21 September 2019 - 12 January 2020. Provenance: Private collection; acquired directly from the artist. Notes: Deaf from an early age, Charles Eyck found his expression in painting and writing. He was a versatile artist, who sculpted, painted ceramics and also made several murals and stained-glass windows for Catholic churches in the Netherlands and France. When commissions for stained-glass windows diminished, Charles Eyck took up painting to depict his native soil Limburg.

Langs de Mergellandroute / Along the Mergellandroute (1967)

Eyck, Charles [4]
(Meerssen, 24 maart 1897 - Schimmert, 1983)

Details

Databanknummer:
84627
Lotnummer:
-
Advertentietype
Archief
Instelling:
Adams Amsterdam Auctions BV.
Veilingdatum:
-
Veilingnummer:
-
Stad
-
Limietprijs
-
Aankoopprijs
-
Verkoopprijs
-
Hamerprijs
-
Status
Verkocht

Technische details

Kunstvorm:
Schilder- en Tekenkunst
Technieken:
Olieverf
Dragers:
Paneel
Lengte:
48 cm
Breedte:
62.5 cm
Hoogte:
-
Oplage:
-

Beschrijving

Signed 'Eyck' (lower left); framed. Some hairline scratches in the (upper) centre, one with small losses of paint, else in very good condition. Frame size 72 x 86 cm.

Exhibited: 'Charles Eyck. Schilderen met explosieve handen', Museum De Wieger, Deurne, 21 September 2019 - 12 January 2020. Provenance: Private collection; acquired directly from the artist. Notes: Deaf from an early age, Charles Eyck found his expression in painting and writing. He was a versatile artist, who sculpted, painted ceramics and also made several murals and stained-glass windows for Catholic churches in the Netherlands and France. When commissions for stained-glass windows diminished, Charles Eyck took up painting to depict his native soil Limburg.

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