Beschrijving
Signed and dated 'Wafae Ahalouch el Keriasti -2003-' (on the reverse).
Condition Report:
Spots of paint flaking in places with a few losses of paint, otherwise in good condition.
Provenance:
Acquired directly from the artist in 2003.
Notes:
In 2003 Wafae Ahalouch el Keriasti won the Royal Award for Modern Painting (Koninklijke Prijs voor Vrije Schilderkunst). In the words of the artist: "My work, which is mainly inspired by history, religion, politics, film, fairy tales, families and the media, essentially provides an alienated perspective of my personal vision of the world. I often produce series in which I merge several stories into a new entity from which new images emerge. The common denominators in my work are antagonistic notions such as guilt/innocence, power/impotence, or man/woman".
Aanhouding Marokkaanse jongen door politie / Arrest of Moroccan boy by police (2003)
Keriasti, Wafae Ahalouch el
(Tanger, 1978
)
Details
- Databanknummer:
- 88841
- Lotnummer:
- -
- Advertentietype
- Archief
- Instelling:
- Adams Amsterdam Auctions BV.
- Veilingdatum:
- -
- Veilingnummer:
- -
- Stad
- -
- Limietprijs
- -
- Aankoopprijs
- -
- Verkoopprijs
- -
- Hamerprijs
- -
- Status
- Verkocht
Technische details
- Kunstvorm:
- Schilder- en Tekenkunst
- Technieken:
- Acryl
- Dragers:
- Doek
- Lengte:
- 60 cm
- Breedte:
- 50 cm
- Hoogte:
- -
- Oplage:
- -
Beschrijving
Signed and dated 'Wafae Ahalouch el Keriasti -2003-' (on the reverse).
Condition Report:
Spots of paint flaking in places with a few losses of paint, otherwise in good condition.
Provenance:
Acquired directly from the artist in 2003.
Notes:
In 2003 Wafae Ahalouch el Keriasti won the Royal Award for Modern Painting (Koninklijke Prijs voor Vrije Schilderkunst). In the words of the artist: "My work, which is mainly inspired by history, religion, politics, film, fairy tales, families and the media, essentially provides an alienated perspective of my personal vision of the world. I often produce series in which I merge several stories into a new entity from which new images emerge. The common denominators in my work are antagonistic notions such as guilt/innocence, power/impotence, or man/woman".
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