Beschrijving
Signed, dated and inscribed with number 'Zandvliet 97' L # 99/031' (on the stretcher). Craquelure in the centre, good condition.
Provenance: Collection Thom Mercuur, founder and first director of Museum Belvédère, Heerenveen. Notes: Contemporary Dutch artist Robert Zandvliet frequently paints with self-made tempera. Tempera is a challenging medium, since it dries fast and thus requires planning ahead in order to avoid mistakes. Bold lines in Zandvliet's paintings suggest a certain nonchalance, but nothing could be farther from the truth. Zandvliet carefully plans each line, and all the brush strokes remain visible due to the transparency of the medium.
Details
- Databanknummer:
- 85352
- Lotnummer:
- -
- Advertentietype
- Archief
- Instelling:
- Adams Amsterdam Auctions BV.
- Veilingdatum:
- -
- Veilingnummer:
- -
- Stad
- -
- Limietprijs
- -
- Aankoopprijs
- -
- Verkoopprijs
- -
- Hamerprijs
- -
- Status
- Verkocht
Technische details
- Kunstvorm:
- Schilder- en Tekenkunst
- Technieken:
- Tempera
- Dragers:
- Doek
- Lengte:
- 30 cm
- Breedte:
- 40 cm
- Hoogte:
- -
- Oplage:
- -
Beschrijving
Signed, dated and inscribed with number 'Zandvliet 97' L # 99/031' (on the stretcher). Craquelure in the centre, good condition.
Provenance: Collection Thom Mercuur, founder and first director of Museum Belvédère, Heerenveen. Notes: Contemporary Dutch artist Robert Zandvliet frequently paints with self-made tempera. Tempera is a challenging medium, since it dries fast and thus requires planning ahead in order to avoid mistakes. Bold lines in Zandvliet's paintings suggest a certain nonchalance, but nothing could be farther from the truth. Zandvliet carefully plans each line, and all the brush strokes remain visible due to the transparency of the medium.
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