Beschrijving
Incised Edition Picasso, numbered and with Edition Picasso and Madoura Plein Feu pottery stamps on the inside base. White earthenware ceramic vase, partially engraved, with coloured engobe and glaze. Literature: A.R. 603.
Note: At the age of sixty-five Picasso began spending his summers in the French Riviera to enjoy the vibrant colours and bright Mediterranean light. On a visit to Vallauris in the summer of 1946, Picasso met Georges and Suzanne Ramié, the owners of the Madoura pottery studio. Picasso’s imagination ran wild after seeing the Madoura Ceramics and soon a prolific partnership commenced between Picasso and the Madoura Pottery. With a playful approach to irregular surfaces he animated the function parts of the vessel. Picasso discovered the anthropomorphic qualities of the vessels and drew on many sources for his ceramic designs. Inspired by everything from owls and goats to Greek mythology and bullfighting, Picasso's fascinations were clear to see, whether carved, etched or painted and glazed on to the surface of the clay.
Details
- Databanknummer:
- 83595
- Lotnummer:
- -
- Advertentietype
- Archief
- Instelling:
- AAG Auctioneers
- Veilingdatum:
- -
- Veilingnummer:
- -
- Stad
- -
- Limietprijs
- -
- Aankoopprijs
- -
- Verkoopprijs
- -
- Hamerprijs
- -
- Status
- Verkocht
Technische details
- Kunstvorm:
- Beeldhouw- en Objectenkunst
- Technieken:
- Beeld-sculptuur
- Dragers:
- Ceramiek
- Lengte:
- -
- Breedte:
- -
- Hoogte:
- 27.8 cm
- Oplage:
- 114/250
Beschrijving
Incised Edition Picasso, numbered and with Edition Picasso and Madoura Plein Feu pottery stamps on the inside base. White earthenware ceramic vase, partially engraved, with coloured engobe and glaze. Literature: A.R. 603.
Note: At the age of sixty-five Picasso began spending his summers in the French Riviera to enjoy the vibrant colours and bright Mediterranean light. On a visit to Vallauris in the summer of 1946, Picasso met Georges and Suzanne Ramié, the owners of the Madoura pottery studio. Picasso’s imagination ran wild after seeing the Madoura Ceramics and soon a prolific partnership commenced between Picasso and the Madoura Pottery. With a playful approach to irregular surfaces he animated the function parts of the vessel. Picasso discovered the anthropomorphic qualities of the vessels and drew on many sources for his ceramic designs. Inspired by everything from owls and goats to Greek mythology and bullfighting, Picasso's fascinations were clear to see, whether carved, etched or painted and glazed on to the surface of the clay.
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